Two Northern organisations have criticised the Socio-Economic Rights and Accountability Project (SERAP) and Amnesty International (AI) for asking President Bola Tinubu to direct the withdrawal of charges against activist Omoyele Sowore, saying such requests risk being seen as interference in
Justice For All Nations (JFAN), a non-governmental organization headquartered in the United States, has criticized the recent appeal by the Socio-Economic Rights and Accountability Project (SERAP) and Amnesty International Nigeria urging President Bola Tinubu to withdraw cybercrime charges against activist Omoyele Sowore. In a statement issued on Monday by its Coordinator,
Lere Olayinka, Senior Special Assistant on Public Communications and Social Media to Federal Capital Territory Minister Nyesom Wike, has accused self-styled activist and SaharaReporters publisher Omoyele Sowore of being haunted by his own fraudulent past. Olayinka dismissed Sowore’s claims that President Bola Ahmed Tinubu and Wike plotted to assassinate him as “just
Lere Olayinka, Senior Special Assistant on Public Communications and Social Media to the Minister of the Federal Capital Territory (FCT), Nyesom Wike, has accused Omoyele Sowore, former presidential candidate of the African Action Congress (AAC), of hypocrisy. In a statement shared on social media on Friday, Olayinka criticized Sowore for labeling President Bola Tinubu a
Federal Capital Territory (FCT) Minister, Nyesom Wike, has criticized activist and African Action Congress (AAC) presidential candidate, Omoyele Sowore, for referring to President Bola Tinubu as a “criminal.” Sowore made the statement in an August 25 tweet, referencing a video of President Tinubu during a visit to Brazil, where Tinubu claimed there was no longer […]
By Lewis Chukwuma Arguably the poster-boy of Nigeria’s activism ecosystem, online publisher of SaharaReporters and rambunctious politician, Omoyele Sowore, has probably earned his epaulets, tracking his nimble interventions and a wide swathe of comic escapades he has scripted in the last two decades, often laced with quaint rhetorical violence. But has the fire-eating









